Friday, August 14, 2009

No posts for a while

I'm in the process of moving, and seeing how one contract ends today and the other begins on the 24th, I'll be staying at somewhere not here. The place I'm staying doesn't really have internet that I can just plug into, and so because I cannot gaurantee regular updates I will just declare hiatus and call it that.

So from now until around the 24th I will not be updating the blog.

Thursday, August 13, 2009

Should I watch Scrubs?


The long and short of it: Yes
When was it made: 2001

Bill Lawrence's brainchild started as a parody of hospital drama shows such as ER, but has grown into one of the greatest show on television. It deftly combines humor and drama, starting the show with characters who either didn't know each other or had lasting relationships and mixing them together in such a way that when, in later seasons, they all know each other it was real bonds of friendship, love, and hate, not tacked on relationships just ascribed to the character. Sure there is some contrivance (it's a comedy show) and realism is not always held to a high standard, but it is so charming that they can be easily overlooked.

The show is either still on air or just finished its last season (I don't receive television programming: any series I review has been borrowed on DVD), so it is still fresh in the minds of those who watch it. It is also popular among college kids who grew up when the show first started. It's combination of humor and drama makes it a favorite that gets passed around and shared everywhere.

Scrubs takes place in a hospital, and some of its humor revolves around that fact, but don't worry, there isn't a lot of jargon or tech speak muddling up non-nerds who watch the show. However, a great deal of focus is put on interpersonal relationships, but it isn't done in a horribly cheesy way like some other hospital dramas. There is one relationship that I have trouble believing, but I won't spoil it for you, and you might disagree. Now because this deals with adults in adult relationships there are some naughty jokes, so beware of those, but the show is relatively clean. So if you can't stand any sexual content or don't want to be amused, don't watch Scrubs. But if you want to see a hilarious and yet poignant show about love, laughs, and medicine, than get your hands on Scrubs as soon as possible.

This show is fantastic, I'm not going to lie. If you don't like this show it could only be for personal reasons. Sure it does suffer from some of the sitcom shenanigans, but usually when that occurs it's a lampshade. They're not afraid to play around and lampoon themselves, but the relationships remain true to form throughout it all. The relationship between Turk and JD is my personal favorite-its funny to see two guys who are incredibly close friends, epitomized by the song Guy Love (Guy love/He's mine I'm his/There's nothing gay about it in our eyes). In fact, that song is my favorite scene from the entire show. I can't get enough of it. Their relationship is what makes you start watching, but the ones that branch of from it makes you stay.

Wednesday, August 12, 2009

Should I read I am Legend?


The long and short of it: Yes
When was it made: 1954

What's this? An undead apocalypse book? How passe! Oh why would anyone want to read another book like this? Because this is the original. Written by Richard Matheson, I am Legend is the book that spawned 3 movies and the entire modern zombie franchise. This is another case of Gandalf the Grey: it seems like a cliche because it established that cliche. It follows Robert Neville as he copes with the coming of the zombie (well, vampires. This isn't a modern pop culture book so the line is thinner than you'd think-I guess you'll just have to read it!) and with the crushing despair that isolation brings.

The recent Will Smith movie is a lot of people's first introduction to this book, but the book itself is very popular on the cult circuit because of its role in the beginning of the zombie craze. The book has actually had three movies based off of it, although I've heard only the original stays true to the book. The Will Smith rendition is close, but veers off wildly at the end. George Romero credits this book with inspiring his zombie work, so this is the book to read if you're looking for the first modern zombie book (and a modern vampire book that doesn't treat them like day-glow fairies).

Now the book is a zombie book, so it follows the pattern of slow story development pieces perforated with a few action sequences. However, odds are if you're reading the book you're a fan of the zombie mode of storytelling, and its not that different. Now this book deals with isolation and its effects a lot more than the movie, so at some points the action becomes intentionally monotonous to show the dangers monotony has: it is by no means dull, but it is something to be aware of. The book is not nearly as violent as many modern works about the undead, so even the queasy can read it easily. Now if you're looking for a non-stop zombie thriller full of exploding heads and a mortal bad ass fighting the horde, you'll be disappointed. But if you're looking for an "after the world has lost" kind of zombie survival horror with a few social messages, than look no further.

I thought the book was fascinating and worth every minute. I loved watching as Robert had to slowly stop living in the past and move onto the future: it is interesting to note how time wears away at him until he has become a man more fitting of the world in which he lives. I also enjoyed the ending much more than the ending of the latest movie: however, if you have seen the alternative ending apparently it is much closer to the book. Zombie horror thrives on suspense and not knowing the outcome, so I'll stop myself here so I don't give any spoilers. Suffice it to say, I think it is much more satisfying to find out firsthand why "I am Legend."

Tuesday, August 11, 2009

Should I watch Apocalypse Now?


The long and short of it: Maybe
When was it made: 1979

Famous for its long and arduous production, this Francis Ford Coppola film can be summarized in two words: too damn long. You see? Even my description of it went too long. The movie raises a lot of interesting points and makes you think about a lot of things. But I think that it suffers from that. It puts a whole lot of things in your head, but doesn't develop any of them. Perhaps the movie makes more sense if you were alive for the Vietnam conflict, and perhaps I just went in expecting it to be a shoot-em-up war movie.

This is a Vietnam war movie, which almost automatically grants it some level of immortality as this era of time is defined by controversial wars of assistance. It has a hefty stack of awards at its side and many call it a must see. Robert DuVall's performance is considered one of the most memorable in movie history, and the film is famous for exploring how war changes men.

Being a war movie there is lots of violence, and being a Vietnam war movie means there is a bit of nudity. The movie is dirty, hopeless, and rugged. People you want to live die, and those who live are forever changed. The movie does not really edit anything out in an attempt to emulate real war. If you are looking for a ra-ra America feel good war flick, go find a World War II movie. If you want a tiny window into the hell that is war and are willing to spend a long time doing it, go ahead and watch.

The movie had its good parts and its interesting parts. The beginning is fascinating, getting to see how war has made Willard unable to function when not in combat, and the entire Kilgore scene is gold, to see a man so enraptured with the thrill of victory that he laments the ending of war and "loves the smell of Napalm in the morning." We see people becoming less than human when confronted with horrible conditions, and we see that as Willard journeys further into Vietnam, he also travels further into the dark side effect of men killing men: insanity. You could travel with him and keep your mind intact, but only if you have the endurance to outlast this incredibly long movie.

Monday, August 10, 2009

Should I read V for Vendetta?


The long and short of it: Yes
When was it made: 1982

Written by Alan Moore and illustrated by David Lloyd, V for Vendetta explores the political extremes of fascism and anarchy. The main character is an enigma whose origins and state of mind are never fully disclosed. We see a human fighting against 'the man' for freedom, but committing violent atrocities to do so. In true Moore fashion there are no heroes and villains, only people going about their lives--a fact that the movie, although I found it good, missed entirely when they made V a hero.

The 2005 movie has introduced a new generation to the masked man, albeit an incorrect version of him. Hopefully as many as saw the movie have read the book, because although the stories are similar on the outside, they are fundamentally as different as night and day. Also, the Guy Fawkes masks (for those of us who live in America, Guy Fawkes is famous for attempting to blow up parliament with barrels of gunpowder several centuries ago) have made an appearance, being worn by protesters and activists the world over to preserve their anonymity while promoting their cause. Whether these people are the anarchists of the book or the freedom fighters of the movie isn't clear, but it is an interesting phenomenon.

Now the book is definitely a good read, but there are lots of words, so if you read comics because you hate to read a lot, than maybe this isn't for you. The story is also very political, and is a bit more controversial than the movie. In the movie there are good guys and bad guys, but the book is considerably more gray. So if you want a gritty dystopian political commentary, go ahead and read. If you want a simple story or the black and white of superhero comics, than look elsewhere.

I loved the movie (seeing as how much I've mentioned it in this opinion on the book should make that fact relatively obvious) but I dislike how it skewed my perceptions of the book. Their interpretation of V as a hero of the people really hindered my interpretation of his as a more neutral character. I love the books realistic depictions of fascism and anarchy. The old saying "Under Mussolini the trains ran on time, but nobody smiled" really show in a society where the people have peace but not freedom, and the negative effects of anarchy are seen in the crime and violence that explodes during the revolution. My favorite scene is when Evey realizes that V is more than the man behind the mask, but is the idea within the mask: it epitomizes the books use of people as representations of ideals. Those ideals of anarchy and fascism always circle each other in world politics, and V for Vendetta tries to get us to see them for what they really are when we decide under which banner to flock if any banner at all.

Saturday, August 8, 2009

Should I watch Afro Samurai?


The long and short of it: Yes
When was it made: 2007

Fuminori Kizaki has managed to create an awesome and fun-filled action story in five episodes based on a manga by Takashi Okazaki. Afro Samurai is as campy as you would expect, taking its serious back story and placing that next to sex jokes, violence, and Samuel L. Jackson.

What more hype need I mention than Samuel L. Jackson? The man is himself an industry with a built in fan base. The series has spawned a movie and a video game, and along with Snakes on a Plane can be given as an example of why people love Samuel L. Jackson.

This is a violent show, full of killing. The story itself is little more than a backdrop to the fights. Afro wears the number two headband, meaning that anyone wanting to be the most powerful fighter in the world has to kill him, causing violence to erupt all around. The show has some points that cause introspection, where Afro contemplates the sacrifices he has had to make and losses he has incurred on his path, but whenever that starts to get heavy, he finds someone new to murder. If you want a violence filled fun show with only a few episodes, than get Afro Samurai. If you don't like sophomoric humor or require your stories to revolve around more than violence and the quest for more violence, than head for a different show.

I loved Afro Samurai because it has an incredible story behind it that somehow fits the weird world in which it is set. This is a world ruled not by armies and governments, but by warriors, and the story reflects it. There is a lot of group on one and one on one combat, and Afro always avails. In a lot of stories I would call it a Mary Sue character, but the world allows me to believe one super powered warrior can defeat an army. My personal favorite moment comes when Afro battles Kuma: it fleshes out these characters designed solely to kill more than some characters in serious work are. It is this juxtaposition of serious back story and silly and over-the-top violence that makes Afro Samurai work. Also, Samuel L. Jackson.

Should I watch Blood: the Last Vampire?

The long and short of it: Only if you're familiar with the franchise
When was it made: 2000

Hiroyuki Kitakubo directed the surprisingly short Blood: the Last Vampire. The movie was ok, with some fun lines and some good action, however if this is your first taste of the Blood universe (as it was for me) it is a little confusing and not very complete. The movie is not overly complex by any means, with a simple plot and a bit of killing, but confusion still arises from a lack of exposition.

Blood's hype has come mostly in the anime community, however the recent upward trend in followers of the vampire fandom will make this movie more appealing to a wider audience; in fact the live action adaptation of this series was recently mentioned in a New York Times article about fascination with vampires (I would send you the link, but I read it in the actual paper. You know, that big obsolete thing people use to start fires?). That itself-the live action adaptation, not the article-has generated a bit of hype to see the "original" movie.

We are back to not-for-children-cartoons. Blood is violent and contains a fair amount of, well, blood. The movie is short, less than an hour in length, so it doesn't have the same time investment that other movies have. Unfortunately all that extra time in most movies is used for exposition and universe exploration, of which there is little. Though the movie claims to be about vampires, they aren't really involved: there is only one character who you assume is a vampire that hunts monsters that drink blood, but aren't really vampires.So if you want to see a short violent action anime, check out Blood. If you thrive for exposition or love the classical dark-master-burns-in-sunlight vampire, this isn't for you.

Now that was the major problem to me, that they didn't use conventional vampires yet they expect you to know the rules of the universe. None of the characters are more than a list of character traits and a bubble graph linking certain characters. All you know is that it takes place in an alternate real world, and that whenever it is set there are still American occupational forces in Japan. Everything else is just dumped in front of you. The main character fights things that feed on blood and hide among humans. How do you kill them? You have to deal enough damage with a single blow (I think). However, guns are worthless? Sidearms, maybe, but a man unloading an assault rifle into a monster can cause equivalent bodily harm to a monster as a few sword strokes. Also, apparently the main character (who is a vampire) is seen striding about with no fear of the sun. After seeing that, there was a scene where she's in a burning building, and I didn't know if I should be suspenseful: did fire hurt her or not? I didn't know, because nobody told me how it works. That's what it really comes down to: if you're familiar with the universe, you'll probably love the movie. But the movies short length doesn't allow the exposition required to understand how the world works: you spend the time you should be worried about the action wondering why it matters instead.